I think I will come back to water after I'm finished with the paintings for the Tomato Art Fest. For some reason, it's hard to write about water - I didn't realize I was so rusty on it!
Another question came up while I had the podcasts going as I painted. I think it was an older New World Witchery podcast and they were talking about offerings - especially food offerings. How to deal with them? Do you leave them for awhile and eat them yourself at a later time? Do you throw it out when they're 'done'? (Wait...was it The Jaguar and The Owl podcast? One of those two.)
I still have conflicted feelings about it, even after all this time. On the one hand, it feels rude to put out food, only to come back later and take it away to eat it myself. One of the guests made the observation: "You don't invite family over and let them fill their plates, only to have it taken away and eaten by someone else."
However, it feels quite companionable sometimes to have something like a burger or a snack to share with Them. It's a little like sharing the popcorn at a movie. I also like to sit down and offer a cup of tea. It doesn't seem so...wasteful that way.
That is the crux of the thing, right there. I am the granddaughter of people who lived through the Depression. My paternal grandparents never talked about it but there was always plenty of food stored away in the root cellar - all things canned by grandmother out of the garden. My maternal grandmother rarely talked about the Depression but she had a lingering distaste for macaroni and tomatoes because many times, that was all there was to eat. (It was just cooked macaroni with canned tomatoes added to it, juice and all.)
So it is almost an ingrained thing for me. You just do not waste food, no matter what.
I came across a blog (was it Devo's?) that explained the shrine they had set up. What surprised me was the use of re-ment - in this case, good quality 1/12 scale food, plates and even beer. They talked about how they had enough to switch out 'meals' fairly often. The author of The Twisted Rope blog points out that is is not only the food (or spirit of food) that feeds the gods, but also the ritual, the words we say - the entire act of spending time with the gods that nourished Them. Granted, re-ment may not work in every situation but it still seems like a viable option in a shrine. It definitely looks like an easier option than paper things that is so popular in some Asian ceremonies, where they are burned to send the spirit of the things to the spirits.
Occasionally surreal ramblings about life, art, faith and gods know what else.
Showing posts with label gods. Show all posts
Showing posts with label gods. Show all posts
Saturday, July 18, 2015
Monday, July 13, 2015
Moving around the Septagram - the Land
So the second point on the septagram is the Land - Earth. Before I go much further, I'll add the mystical aspects first, since I didn't feel that I covered much of it for the Sun.
The Earth, for me, is a steadying influence. It is very much the foundation. That foundation can be a very solid thing - like the limestone deposits that underlie much of this part of Tennessee. The thing to remember is that sometimes, that limestone is dissolved away by the action of rainwater. The rain washes the pollution out of the air - excess carbon dioxide, stuff from fossil fuels, etc. - and this creates a slightly acidic solution. It dissolves the limestone and after a while, BOOM! What looked like solid ground is now a sinkhole.
The lesson in this is that it is important to examine our foundations from time to time, so that we're standing on a firm foundation instead of having some insidious thoughts or beliefs dissolving it out from under us.
Not only is the Land a foundation but we depend on it for our very existence. Our food grows in it. Some animals eat the things that grow in it and we eat them. It is also symbolic of the material world - where we live. Abundance. Security. Health. Our very bodies...
One of the first things I learned in Sunday school was that we were made from dust. Clay. This is true - many of the elements in our bodies is found in the environment. Carbon. Iron. Traces of gold. If we go further, each and every one of the elements on the planet were forged in the heart of an ancient star. This is another mystery to ponder.
The colors of the Land include all the colors of Earth - browns, ochres, black - but also the colors of the natural world throughout the seasons. There are the bright greens of Spring and the whites and pinks (Ew. Sorry.) of the new blossoms; the darker greens and brighter colors of the Summer flowers, the muted reds, oranges and yellows of Fall and cold whites, blues, greys and purples for Winter.
In some ways, the Land - Earth - is one of the most frightening things some can think of. After all, we all die. May people are put into the ground - dust to dust. Some transforming, yet frightening stories involve going underground - Orpheus going to Hades to bring back Eurydice; Dante's Inferno. Even stories about the Faery world involve mounds and underground courts.
Freya has a very earthy aspect. Not only is she known for her 'earthy' attitudes (she certainly isn't ashamed of her body and knows how to use it for pleasure - both hers and one can assume, her partner as well) but she traveled to the underground realm of the Dwarves. There she bartered a night with each of four Dwarves for her amber and gold necklace, Brisingamen.
Of course, the Land above isn't as tames as it seems. Sometimes, it shakes. There are animals - and other things - that remind us of its primal wildness. Cernunnos can roam the land, sometimes inspiring wild, primal urges - to run! To dance! To have mad, passionate sex! Other times, He can inspire the exact opposite. Madness and fear follows when He leads the Wild Hunt.
Pan can inspire the same feelings - after all, he is forever chasing nymphs in the Greek myths. Yet He also lent his name to the words PANdemonium and PANic.
Artemis can also be included here. She is ofter in the forest, surrounded by Her Little Bears, free to roam. She can be just as ferocious as a bear when they are bothered.
The Earth, for me, is a steadying influence. It is very much the foundation. That foundation can be a very solid thing - like the limestone deposits that underlie much of this part of Tennessee. The thing to remember is that sometimes, that limestone is dissolved away by the action of rainwater. The rain washes the pollution out of the air - excess carbon dioxide, stuff from fossil fuels, etc. - and this creates a slightly acidic solution. It dissolves the limestone and after a while, BOOM! What looked like solid ground is now a sinkhole.
The lesson in this is that it is important to examine our foundations from time to time, so that we're standing on a firm foundation instead of having some insidious thoughts or beliefs dissolving it out from under us.
Not only is the Land a foundation but we depend on it for our very existence. Our food grows in it. Some animals eat the things that grow in it and we eat them. It is also symbolic of the material world - where we live. Abundance. Security. Health. Our very bodies...
One of the first things I learned in Sunday school was that we were made from dust. Clay. This is true - many of the elements in our bodies is found in the environment. Carbon. Iron. Traces of gold. If we go further, each and every one of the elements on the planet were forged in the heart of an ancient star. This is another mystery to ponder.
The colors of the Land include all the colors of Earth - browns, ochres, black - but also the colors of the natural world throughout the seasons. There are the bright greens of Spring and the whites and pinks (Ew. Sorry.) of the new blossoms; the darker greens and brighter colors of the Summer flowers, the muted reds, oranges and yellows of Fall and cold whites, blues, greys and purples for Winter.
In some ways, the Land - Earth - is one of the most frightening things some can think of. After all, we all die. May people are put into the ground - dust to dust. Some transforming, yet frightening stories involve going underground - Orpheus going to Hades to bring back Eurydice; Dante's Inferno. Even stories about the Faery world involve mounds and underground courts.
Freya has a very earthy aspect. Not only is she known for her 'earthy' attitudes (she certainly isn't ashamed of her body and knows how to use it for pleasure - both hers and one can assume, her partner as well) but she traveled to the underground realm of the Dwarves. There she bartered a night with each of four Dwarves for her amber and gold necklace, Brisingamen.
Of course, the Land above isn't as tames as it seems. Sometimes, it shakes. There are animals - and other things - that remind us of its primal wildness. Cernunnos can roam the land, sometimes inspiring wild, primal urges - to run! To dance! To have mad, passionate sex! Other times, He can inspire the exact opposite. Madness and fear follows when He leads the Wild Hunt.
Pan can inspire the same feelings - after all, he is forever chasing nymphs in the Greek myths. Yet He also lent his name to the words PANdemonium and PANic.
Artemis can also be included here. She is ofter in the forest, surrounded by Her Little Bears, free to roam. She can be just as ferocious as a bear when they are bothered.
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Friday, July 10, 2015
A post about painting and Egyptian Gods in which Star Wars references were NOT made...
I was seriously considering blowing off tonight's entry. Sleep will not be long in coming tonight, I hope. I worked about six hours on a painting today and when I say six hours, I mean "turned on the podcasts and off I went without a break." I listened to some old Snap Judgement Spook episodes and Dreamland, plus one interview with Brian Cox that I completely forgot I had.
The painting ended up being redone from yesterday, but I was prepared for that. I'm not entirely in the love with the background - mostly the purple left from the previous composition.
I hope the painting will be fine. After I finished for today, I hung it on the porch in the usual place by the door for the night. A storm blew up and it was a strong one. The wind blew the rain in horizontally...all the way to the front door and the painting. Hopefully, it will dry without any spotting.
All this work today...I suppose some people will be disappointed to find out it is the third composition for that board. I finally just painted over the ferris wheel. It just wasn't working and it was a chore to work on - hell, to look at again. I had forgotten my rule of thumb: if it doesn't make me smile or chuckle, then it needs to be gone. It's a lesson I've been relearning on several fronts lately.
Perhaps that is why Set is back, perhaps He was never gone and I was just not in shape to perceive Him (hell, I could barely perceive the mundane there for a while.)
ANYWAY...
He's been on my mind a lot lately. A friend posted in her blog night before last about the Furies and mentioned how they have been maligned in modern times and how they were originally storm gods.
The same could be for Set. I'm not saying He has a completely undeserved reputation and He is all puppies and ice cream (heh.) It simply isn't the whole picture.
He is one of the oldest gods in the Egyptian pantheon. Of course, one the best known stories about Set is the one involving Osiris. You know: family squabble, Osiris gets murdered (there are two different stories about how it came about) and it's all because of jealousy.
But was it? Really?
The thing about mythology is it sometimes get influenced by whoever is in charge. In the older stories, Set is simply the opposite of Horus. He was Night to Horus' Day and they were equals - more like yin and yang. Some say this is because the lands were in peace, Set's North and Horus' South. Somewhere along the line, the South may have gained more power, hence Set being maligned.
What does this have to do with Osiris? If you look at the stories, in the beginning, Osiris was a vegetation god. That's it. But once Set got a hold of Him, Osiris descended to the underworld...and became Lord of it and of resurrection. In other words, He went from being a vegetation god to being a Big Deal. Without Set's actions, He may have never risen (pun intended) within the pantheon. I suppose it could even be seen as an initiation.
I could make a comparison to Darth Vader and Obi Wan but I'll refrain.
Coming back to today's painting, destruction was certainly the name of the game. Hopefully, this comp is infinitely better than the other one with the ferris wheel. I had wanted to do something different but I don't know. It just wasn't working. Perhaps the idea just needed time to go to ground and come back bigger and better.
The painting ended up being redone from yesterday, but I was prepared for that. I'm not entirely in the love with the background - mostly the purple left from the previous composition.
I hope the painting will be fine. After I finished for today, I hung it on the porch in the usual place by the door for the night. A storm blew up and it was a strong one. The wind blew the rain in horizontally...all the way to the front door and the painting. Hopefully, it will dry without any spotting. All this work today...I suppose some people will be disappointed to find out it is the third composition for that board. I finally just painted over the ferris wheel. It just wasn't working and it was a chore to work on - hell, to look at again. I had forgotten my rule of thumb: if it doesn't make me smile or chuckle, then it needs to be gone. It's a lesson I've been relearning on several fronts lately.
Perhaps that is why Set is back, perhaps He was never gone and I was just not in shape to perceive Him (hell, I could barely perceive the mundane there for a while.)
ANYWAY...
He's been on my mind a lot lately. A friend posted in her blog night before last about the Furies and mentioned how they have been maligned in modern times and how they were originally storm gods.
The same could be for Set. I'm not saying He has a completely undeserved reputation and He is all puppies and ice cream (heh.) It simply isn't the whole picture.
He is one of the oldest gods in the Egyptian pantheon. Of course, one the best known stories about Set is the one involving Osiris. You know: family squabble, Osiris gets murdered (there are two different stories about how it came about) and it's all because of jealousy.
But was it? Really?
The thing about mythology is it sometimes get influenced by whoever is in charge. In the older stories, Set is simply the opposite of Horus. He was Night to Horus' Day and they were equals - more like yin and yang. Some say this is because the lands were in peace, Set's North and Horus' South. Somewhere along the line, the South may have gained more power, hence Set being maligned.
What does this have to do with Osiris? If you look at the stories, in the beginning, Osiris was a vegetation god. That's it. But once Set got a hold of Him, Osiris descended to the underworld...and became Lord of it and of resurrection. In other words, He went from being a vegetation god to being a Big Deal. Without Set's actions, He may have never risen (pun intended) within the pantheon. I suppose it could even be seen as an initiation.
I could make a comparison to Darth Vader and Obi Wan but I'll refrain.
Coming back to today's painting, destruction was certainly the name of the game. Hopefully, this comp is infinitely better than the other one with the ferris wheel. I had wanted to do something different but I don't know. It just wasn't working. Perhaps the idea just needed time to go to ground and come back bigger and better.
Monday, July 06, 2015
Why honor the savage gods?
Black Cat's radar is in working order. More times than not, I sit down to write and he's right here, looking to see if there are any edibles - and to look at me as if he is a poor, Dickensian starving waif asking, "Please, Ma'am. A scrap, a morsel of food is all I ask..."
______________
Now that it's a bit later and Black Cat has found a scrap of food in Kuma's bowl (read: it was half full,) I guess I can write.
John Beckett and Galina Krasskova had articles today about honoring and loving fearsome and savage gods. They ask why anyone would want to do so - why not just focus on the positive and beautiful aspects.
I agree with their reasons. When we reject certain aspects because they make us uncomfortable, it stunts our relationship with Them. That's not to say it's not terrifying when our gods show their more awesome sides. It most definitely is. Sometimes it comes, not in a big act, but in the smallest thing.
I lost my great aunt in a tornado several years ago. It was truly a terrible storm and it could have well earned the epithet 'Eye of Set' (in fact, one man who survived the storm with a broken leg was quoted, "The Lord grabbed my leg and kicked my ass.")
It was hard for me to believe that this wonderful, funny woman had died in such a horrible, terrifying way. In my grief, I asked Set that night why - why did this happen to her?
I'm not entirely sure what I was looking for but if I was looking for comfort, I didn't get it. I was deeply grieving my loss but in response to my question was the completely dispassionate, what-the-fuck-is-it-any-of-my-concern answer, "Sometimes, things just are."
It was one of the few times I understood the phrase, "my blood ran cold." It was a reminder that the gods are not human, even if they can sometimes pass. We humans also forget ourselves and act like we are the end all, be all and occasionally we need reminders that we are so not.
After I began to get over my grief and think about the answer I received, plus my daring to ask a storm god why a storm took my loved one, I started to respect Set even more. In that one, toss-away answer, I caught a glimpse of the terrible awesomeness of this god. Plus, there are multiple layers in that one answer. Sometimes, it is the direct answer that is the most helpful, more than any platitude, no matter how well meaning it is.
Getting back to the original point of all this, why not just focus on the positive and beautiful? Because when you reject the parts you don't like, you saying that you can't accept that deity in totality, or at least as much totality as we measly humans can comprehend.)
______________
Now that it's a bit later and Black Cat has found a scrap of food in Kuma's bowl (read: it was half full,) I guess I can write.
John Beckett and Galina Krasskova had articles today about honoring and loving fearsome and savage gods. They ask why anyone would want to do so - why not just focus on the positive and beautiful aspects.
I agree with their reasons. When we reject certain aspects because they make us uncomfortable, it stunts our relationship with Them. That's not to say it's not terrifying when our gods show their more awesome sides. It most definitely is. Sometimes it comes, not in a big act, but in the smallest thing.
I lost my great aunt in a tornado several years ago. It was truly a terrible storm and it could have well earned the epithet 'Eye of Set' (in fact, one man who survived the storm with a broken leg was quoted, "The Lord grabbed my leg and kicked my ass.")
It was hard for me to believe that this wonderful, funny woman had died in such a horrible, terrifying way. In my grief, I asked Set that night why - why did this happen to her?
I'm not entirely sure what I was looking for but if I was looking for comfort, I didn't get it. I was deeply grieving my loss but in response to my question was the completely dispassionate, what-the-fuck-is-it-any-of-my-concern answer, "Sometimes, things just are."
It was one of the few times I understood the phrase, "my blood ran cold." It was a reminder that the gods are not human, even if they can sometimes pass. We humans also forget ourselves and act like we are the end all, be all and occasionally we need reminders that we are so not.
After I began to get over my grief and think about the answer I received, plus my daring to ask a storm god why a storm took my loved one, I started to respect Set even more. In that one, toss-away answer, I caught a glimpse of the terrible awesomeness of this god. Plus, there are multiple layers in that one answer. Sometimes, it is the direct answer that is the most helpful, more than any platitude, no matter how well meaning it is.
Getting back to the original point of all this, why not just focus on the positive and beautiful? Because when you reject the parts you don't like, you saying that you can't accept that deity in totality, or at least as much totality as we measly humans can comprehend.)
Monday, January 19, 2015
Panthers and mysteries
Once, a long time ago, Gods roamed the land. They claimed the sky worlds and they stalked the Underworld. The Sun, Moon, Morning Star and the Thunderers kept the stability and order while the creative, fertile, yet chaotic forces charged up from the Underworld from the Corn Mother and beings like the underwater panther. We humans lived in a liminal place - the Middle world, full of beings in its own right: Hawk, the Horned Serpent, and the spirits of plants, trees, and rocks.
Of course, as a Pagan, I know this is still true. Gods and spirits abound.
I had a dream not long after I moved into this house. I was walking on a high bank along a shallow creek on a bright sunny day. I was fascinated by the water - it was so clear, I had no trouble seeing each and every rock on the bottom as if I held them in my hands. Suddenly, I saw something moving beneath the water, a mountain lion. I was seeing the top of its head and back, even though the water was only a few inches deep. It stalked along the creek bottom until suddenly it launched itself straight up and right at me. Its claws and teeth missed me by mere inches as I jerked backwards in surprise and it fell back into the creek bed. This was no flesh and blood feline. It was composed entirely of water.
The underwater panther is a figure from a group of peoples archeologists once called the South Eastern Ceremonial Complex. They were also moundbuilders. In some surviving stories from later peoples, it is said that a meeting with such a being will either heal you or kill you. I'm not sure what that says about mine. I only know that I had never heard about any such things before the dream. The dream was so vivid and I could hear the sound of the water as it rippled through the bed as well the crash it made as when the cat fell back into the creek. Was it just a dream? I'm not so sure. It is something I still ponder to this day.
I had intended to write about some of the deities I work with today but sometimes, the muse has other ideas. I asked myself if this fulfills the prompt for this week: "an opportunity for you to share with everyone those who guide, inspire and inform you." I'm not entirely sure it does, not in the strict deity/divine way. Still, sometimes it's the mystery of a thing that is the inspiration. No one ever started out on a quest because they had all the answers.
Of course, as a Pagan, I know this is still true. Gods and spirits abound.
I had a dream not long after I moved into this house. I was walking on a high bank along a shallow creek on a bright sunny day. I was fascinated by the water - it was so clear, I had no trouble seeing each and every rock on the bottom as if I held them in my hands. Suddenly, I saw something moving beneath the water, a mountain lion. I was seeing the top of its head and back, even though the water was only a few inches deep. It stalked along the creek bottom until suddenly it launched itself straight up and right at me. Its claws and teeth missed me by mere inches as I jerked backwards in surprise and it fell back into the creek bed. This was no flesh and blood feline. It was composed entirely of water.
The underwater panther is a figure from a group of peoples archeologists once called the South Eastern Ceremonial Complex. They were also moundbuilders. In some surviving stories from later peoples, it is said that a meeting with such a being will either heal you or kill you. I'm not sure what that says about mine. I only know that I had never heard about any such things before the dream. The dream was so vivid and I could hear the sound of the water as it rippled through the bed as well the crash it made as when the cat fell back into the creek. Was it just a dream? I'm not so sure. It is something I still ponder to this day.
I had intended to write about some of the deities I work with today but sometimes, the muse has other ideas. I asked myself if this fulfills the prompt for this week: "an opportunity for you to share with everyone those who guide, inspire and inform you." I'm not entirely sure it does, not in the strict deity/divine way. Still, sometimes it's the mystery of a thing that is the inspiration. No one ever started out on a quest because they had all the answers.
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Friday, August 08, 2008
Praying for the gods?
A while back, Beliefnet put up this article: Praying for Satan's Soul. In The Laughter of Aphrodite, Carol Christ writes about the effect an Elie Wiesel story had on her, where the main character prayed for the soul of God for letting the Holocaust happen.
It's common practice for who pray to pray to the gods but what about praying for the gods? Would it actually need to be done? What would the prayers be for? Continued well being? A change of heart, like those I mentioned above? A good pair of socks? (or was that Dumbledore?)
What do you think?
It's common practice for who pray to pray to the gods but what about praying for the gods? Would it actually need to be done? What would the prayers be for? Continued well being? A change of heart, like those I mentioned above? A good pair of socks? (or was that Dumbledore?)
What do you think?
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